"Jan Rørgård Hansen" <jrh(ingenSpAm)@NOSPAMPLEASE!!person.dk> wrote in
message news:3f9774d9$0$29575$
[email protected] ...
>
> "Jerry Avins" <[email protected]> wrote in message
> news:bn68vh$tb$[email protected]..
> > Jan Rørgård Hansen wrote:
> >
> > > Hi
> > >
> > > Can anyone explain the principle of an anti-Larsen circuit or give
> > > references.
> > > I know that it is used to prevent howling due to an acoustical path
from
> > > loudspeaker to microphone, but I do not know which technique is used.
> > >
> > > Thanks in advance
> > > Jan Hansen
> > >
> > >
> > Did you run down http://www.google.com/search?q=anti-Larsen%20circuit ?
>
> I didn't find an explanation the first time, but OK I tried again and:
> I understand that an anti-Larsen circuit decreases the gain in the speaker
> amplifier dependent on how much signal is received by the microphone.
> I can see how this would work in a telephone with the speaker enabled. I
> have heard that it should have been used in PA-systems to avoid howling,
> this I don't understand.
>
> Any explanations?
>
> Jan
In a PA system, howling occurs when the gain of a system is too great.
Imagine a single mic in proximity to a single speaker. As the gain of the
system is increased (i.e. mic volume is turned up), the mic "hears" more and
more of what the speaker is putting out. Eventually, when the loop gain >
1, the speaker outputs a sound, which the mic hears, which is amplified,
which the speaker puts out again, which the mic hears now at an even louder
level...howling. That's just a rough layman's explanation.
So one way to combat that is to simply turn down the volume until the loop
gain is < 1. A sound operator will often do just that. Then the howling
goes away. In fact, this could be done automatically with a conventional
compressor/limiter which decreases gain when the signal is above a
threshold. However, often times one wants to achieve maximum gain without
howling (e.g. a soft talker). In that case, turning down the level is
contrary to what you are trying to achieve, though it does at least prevent
howling.
Another approach is with filtering. Feedback often occurs at a single
frequency, or at least a fairly narrow range of frequencies. This is due to
the fact that the frequency response of the system is never flat due to many
variables. By cutting just the frequency that is most likely to feedback,
you can get more gain before feedback. Commercial anti-feedback devices do
just that with adaptive filters. So do experienced sound operators with
parametric or graphic EQs--it's often called ringing out a room.*
I've never heard of a anti-Larsen circuit before, but looking at it briefly,
it looks like it simply cuts the gain based on some simple criteria such as
plugging in a microphone. It doesn't sound to me like this is broadly
applicable to PA systems.
*Often times, after you cut one frequency, another will pop up after just a
slight bit more gain is added. So this can be a iterative process.
Anti-feedback devices often have multiple filters (8-24) to deal with
howling at multiple frequencies.